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This painting depicts the Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, North-east of Kintore. The painting tells the story of the rain and hail making ceremony for the site of Kalipinypa. Ancestral forces are invoked to bring on a powerful storm with lightning, thunderclouds and rain sending a deluge to rejuvenate the earth, filling the rock holes, clay pans and creeks and creating new life and growth upon the land. Today the custodians of this important Water Dreaming site celebrate its stories in ceremonies.

This painting depicts Water Dreaming at Kalipinypa, a sacred site north-east of the remote Aboriginal community of Kintore, Northern Territory. The painting tells the story of the rain and hail making ceremony for the site of Kalipinypa. Ancestral forces are invoked to bring on a powerful storm with lightning, thunderclouds and rain, which sends a deluge to rejuvenate the earth, filling the rock holes, clay pans and creeks and creating new life and growth upon the land. Today the Nakamarra, Tjakamarra, Napurrula and Tjupurrula men and women are the custodians of this important Water Dreaming site and celebrate its stories in the ceremonies. This painting is created in a different way to Charlottes usual style as she has depicted rain clouds and hail stones.

This painting depicts the Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, North-east of Kintore. The painting tells the story of the rain and hail making ceremony for the site of Kalipinypa. Ancestral forces are invoked to bring on a powerful storm with lightning, thunderclouds and rain sending a deluge to rejuvenate the earth, filling the rock holes, clay pans and creeks and creating new life and growth upon the land. Today the custodians of this important Water Dreaming site celebrate its stories in ceremonies.

In this painting Danielle has depicted designs associated with the Janmarda Tjukurrpa (Onion Dreaming) site of Karrinyarra (Central Mt Wedge). Karinyarra is two hours drive North West of the remote Aboriginal community of Papunya, Northern Territory, where there is a large salt lake and sacred spring. At certain times of year the surrounds become covered with bush onion grass creating a creamy texture across the landscape. Women dig at the grass to find the bush onion that grows at the roots. The bush onions are gathered and cooked on the coals of the fire. Once they are cool enough to be held they are rubbed between the hands so that the outer shell comes away revealing the lovely sweet small onion underneath.

Lynn has depicted the images people draw in the sand to tell stories to each other.

This painting tells one of many water dreamings from the Papunya area. The circles represent important water or rock hole sites. The background design symbolises the landscape after the rains when the earth has been replenished with new growth. The rock holes collect the water during the rains. Knowledge of where to find water is handed down from generation to generation to ensure survival in the desert. This work represents the elements of a storm - wind, rain, thunderclouds and lightning. It also tells the story of rain and water flowing from the waterholes and flooding the usually dry creek beds. If present, the U shapes are the women sitting around the rock holes.

Annie has depicted designs connected to the area of Desert bore a place near Kintore. If present, the U shapes are women, with their wanna or digging stick by their side, while the concentric circles represent waterholes and the lines are creeks.

The bush seeds are traditionally collected by the women from native grasses, shrubs, herbs and trees and ground down to flour using grinding stones for making damper. This was labour intensive but produced one of the most nourishing traditional foods made in the desert. Hilda depicts seeds of different sizes, shapes and colours as they would appear gathered by the women. Some of the seeds are pulled directly from branches and bushes but sometimes whole branches with seed pods are collected and beaten with sticks to separate the pods and the seeds more efficiently. Hilda has painted the seeds being scattered by the big rains visiting the desert.

This painting depicts the Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, North-east of Kintore. The painting tells the story of the rain and hail making ceremony for the site of Kalipinypa. Ancestral forces are invoked to bring on a powerful storm with lightning, thunderclouds and rain sending a deluge to rejuvenate the earth, filling the rock holes, clay pans and creeks and creating new life and growth upon the land. Today the custodians of this important Water Dreaming site celebrate its stories in ceremonies.

This painting depicts the Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, North-east of Kintore. The painting tells the story of the rain and hail making ceremony for the site of Kalipinypa. Ancestral forces are invoked to bring on a powerful storm with lightning, thunderclouds and rain sending a deluge to rejuvenate the earth, filling the rock holes, clay pans and creeks and creating new life and growth upon the land. Today the custodians of this important Water Dreaming site celebrate its stories in ceremonies.

In this painting Danielle is telling us about bush onion or Janmarda which is a traditional Aboriginal bush food. Bush onions may be eaten raw or cooked after removing the hard casing. They are a small onion with corns on shallow roots, the size of a small shallot. The women would perform a traditional ceremony in honour of the Bush Onion where they dance and paint their breast, chest and forearms in ceremonial body designs. They also decorate their bodies with feathers and dance with ceremonial objects such as nulla nullas (ceremonial dancing baton).

This painting depicts a Women's Rockhole site to the SE of Kintore. This is her grandfather's country.

Lynn has depicted the images people draw in the sand to tell stories to each other.

Lynn has depicted the images people draw in the sand to tell stories to each other.

This painting depicts the Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, North-east of Kintore. The painting tells the story of the rain and hail making ceremony for the site of Kalipinypa. Ancestral forces are invoked to bring on a powerful storm with lightning, thunderclouds and rain sending a deluge to rejuvenate the earth, filling the rock holes, clay pans and creeks and creating new life and growth upon the land. Today the custodians of this important Water Dreaming site celebrate its stories in ceremonies

In this painting Emily has depicted designs associated with the Janmarda Tjukurrpa (Onion Dreaming) site of Karrinyarra (Central Mt Wedge). Karinyarra is two hours drive North West of the remote Aboriginal community of Papunya, Northern Territory, where there is a large salt lake and sacred spring. At certain times of year the surrounds become covered with bush onion grass creating a creamy texture across the landscape. Women dig at the grass to find the bush onion that grows at the roots. The bush onions are gathered and cooked on the coals of the fire. Once they are cool enough to be held they are rubbed between the hands so that the outer shell comes away revealing the lovely sweet small onion underneath.

This painting depicts the Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, North-east of Kintore. The painting tells the story of the rain and hail making ceremony for the site of Kalipinypa. Ancestral forces are invoked to bring on a powerful storm with lightning, thunderclouds and rain sending a deluge to rejuvenate the earth, filling the rock holes, clay pans and creeks and creating new life and growth upon the land. Today the custodians of this important Water Dreaming site celebrate its stories in ceremonies.

This painting tells a Kapi Tjukurrpa (water dreaming) story of Wantupunyu. Wantupunyu is Punni's grandfather's Country and the site is to the north of Papunya and west of the sacred mountain Karinyarra. Punni leant to paint this story from her Mother's paintings, Isobel Gorey Nambajimba, who is a prolific painter and a director at Papunya Tjupi. Water dreaming sites are important for the regeneration of nature. The water makes the country green and brings a lot of 'bush tucker' foods for the people and the animals. The heavy rain usually comes in the summer time. When the lightening can be seen at a distance, the elders will start singing to the lightening, encouraging it to bring more rain to replenish the land. In her paintings, Puuni depicts lightening, rainbows, puddles and bush flowers. In this painting the central shapes are important water or rock hole site. The lines represent the elements of a storm - wind, rain, thunderclouds and lightning. The patterns represent rain and water flowing from the waterholes and flooding the usually dry creek beds.

This painting depicts the Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, North-east of Kintore. The painting tells the story of the rain and hail making ceremony for the site of Kalipinypa. Ancestral forces are invoked to bring on a powerful storm with lightning, thunderclouds and rain sending a deluge to rejuvenate the earth, filling the rock holes, clay pans and creeks and creating new life and growth upon the land. Today the custodians of this important Water Dreaming site celebrate its stories in ceremonies

Linda has painted this lake South-West of Kintor. This story was passed on to her by Naputa Nangala Tjukurai who is the sister of Linda's step-father, who passed the story onto her. The circles represent rock holes. The joined together 'U'shapes represent the women collecting water from the lake. Linda has also painted women dancing and women and children sitting around the water hole. The wavy lines at each end of the painting represent the mountain ranges surrounding the Lake McDonald.

This painting depicts the Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, North-east of Kintore. The painting tells the story of the rain and hail making ceremony for the site of Kalipinypa. Ancestral forces are invoked to bring on a powerful storm with lightning, thunderclouds and rain sending a deluge to rejuvenate the earth, filling the rock holes, clay pans and creeks and creating new life and growth upon the land. Today the custodians of this important Water Dreaming site celebrate its stories in ceremonies.

This painting tells a Kapi Tjukurrpa (water dreaming) story of Wantupunyu. Wantupunyu is Punni's grandfather's Country and the site is to the north of Papunya and west of the sacred mountain Karinyarra. Punni leant to paint this story from her Mother's paintings, Isobel Gorey Nambajimba, who is a prolific painter and a director at Papunya Tjupi. Water dreaming sites are important for the regeneration of nature. The water makes the country green and brings a lot of 'bush tucker' foods for the people and the animals. The heavy rain usually comes in the summer time. When the lightening can be seen at a distance, the elders will start singing to the lightening, encouraging it to bring more rain to replenish the land. In her paintings, Puuni depicts lightening, rainbows, puddles and bush flowers. In this painting the central shapes are important water or rock hole site. The lines represent the elements of a storm - wind, rain, thunderclouds and lightning. The patterns represent rain and water flowing from the waterholes and flooding the usually dry creek beds.

The painting depicts designs connected to Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, a sacred site northwest of the Aboriginal Community of Kintore in the Central Western Desert of Australia. The Tjukurrpa tells of an important rain making ceremony to invoke the elements. It is a powerful storm bringing on the lightning, thunderclouds and rain sending its deluge to rejuvenate the earth, filling rock holes, clay pans and creeks. It has the power to create new life and growth upon the land. There is a lightning strike at this place. In this Tjukurrpa the angular shapes represent the dryness of the Kapi Tjukitji (waterhole). Alice talks of having no spring water in this site. The arrow shapes represent the footprints of the white heron that frequent the site. The custodians for this tjukurrpa are Nakamarra, Tjakamarra, Naparula and Tjaparulla skin subsections.

This painting tells a Kapi Tjukurrpa (water dreaming) story of Wantupunyu. Wantupunyu is Punni's grandfather's Country and the site is to the north of Papunya and west of the sacred mountain Karinyarra. Punni leant to paint this story from her Mother's paintings, Isobel Gorey Nambajimba, who is a prolific painter and a director at Papunya Tjupi. Water dreaming sites are important for the regeneration of nature. The water makes the country green and brings a lot of 'bush tucker' foods for the people and the animals. The heavy rain usually comes in the summer time. When the lightening can be seen at a distance, the elders will start singing to the lightening, encouraging it to bring more rain to replenish the land. In her paintings, Puuni depicts lightening, rainbows, puddles and bush flowers. In this painting the central shapes are important water or rock hole site. The lines represent the elements of a storm - wind, rain, thunderclouds and lightning. The patterns represent rain and water flowing from the waterholes and flooding the usually dry creek beds.

This painting depicts designs that evoke various parts of the landscape of Janet's Country, Nyapari. Nyapari is located near Amata in South Australia. The repeated curved shapes represent rock formations and bush tucker. The concentric circles represent waterholes or meeting sites. If present, the U shapes represent women sitting around a waterhole. Janet has depicted spinifex bushes, bush flowers and water courses which are found in Nyapari. Janet's work captures the immense beauty of Nyapari.

This painting tells a Kapi Tjukurrpa (water dreaming) story of Wantupunyu. Wantupunyu is Punni's grandfather's Country and the site is to the north of Papunya and west of the sacred mountain Karinyarra. Punni leant to paint this story from her Mother's paintings, Isobel Gorey Nambajimba, who is a prolific painter and a director at Papunya Tjupi. Water dreaming sites are important for the regeneration of nature. The water makes the country green and brings a lot of 'bush tucker' foods for the people and the animals. The heavy rain usually comes in the summer time. When the lightening can be seen at a distance, the elders will start singing to the lightening, encouraging it to bring more rain to replenish the land. In her paintings, Puuni depicts lightening, rainbows, puddles and bush flowers. In this painting the central shapes are important water or rock hole site. The lines represent the elements of a storm - wind, rain, thunderclouds and lightning. The patterns represent rain and water flowing from the waterholes and flooding the usually dry creek beds.

Ena has represented puuli (hills) around Lupul in the Kintore region of the Northern Territory. The Tjukurrpa or dreaming associated with this sighttells of the rainbow serpent travelling across the country, bringing with it a great electrical storm which created the ancestral land. This story was passed to her by her father Long Tom Tjapanangka, who also painted this story.

In this painting Emily has depicted designs associated with the Janmarda Tjukurrpa (Onion Dreaming) site of Karrinyarra (Central Mt Wedge). Karinyarra is two hours drive North West of the remote Aboriginal community of Papunya, Northern Territory, where there is a large salt lake and sacred spring. At certain times of year the surrounds become covered with bush onion grass creating a creamy texture across the landscape. Women dig at the grass to find the bush onion that grows at the roots. The bush onions are gathered and cooked on the coals of the fire. Once they are cool enough to be held they are rubbed between the hands so that the outer shell comes away revealing the lovely sweet small onion underneath.

This painting tells a Kapi Tjukurrpa (water dreaming) story of Wantupunyu. Wantupunyu is Punni's grandfather's Country and the site is to the north of Papunya and west of the sacred mountain Karinyarra. Punni leant to paint this story from her Mother's paintings, Isobel Gorey Nambajimba, who is a prolific painter and a director at Papunya Tjupi. Water dreaming sites are important for the regeneration of nature. The water makes the country green and brings a lot of 'bush tucker' foods for the people and the animals. The heavy rain usually comes in the summer time. When the lightening can be seen at a distance, the elders will start singing to the lightening, encouraging it to bring more rain to replenish the land. In her paintings, Puuni depicts lightening, rainbows, puddles and bush flowers. In this painting the central shapes are important water or rock hole site. The lines represent the elements of a storm - wind, rain, thunderclouds and lightning. The patterns represent rain and water flowing from the waterholes and flooding the usually dry creek beds.

Linda has painted this lake South-West of Kintore. This story was passed on to her by Naputa Nangala Tjukurai who is the sister of Linda's step-father, who passed the story onto her. The circles represent rock holes. The joined together 'U'shapes represent the women collecting water from the lake. Linda has also painted women dancing and women and children sitting around the water hole. The wavy lines at each end of the painting represent the mountain ranges surrounding the Lake McDonald.

This painting tells a Kapi Tjukurrpa (water dreaming) story of Wantupunyu. Wantupunyu is Punni's grandfather's Country and the site is to the north of Papunya and west of the sacred mountain Karinyarra. Punni learnt to paint this story from her Mother's paintings, Isobel Gorey Nambajimba, who is a prolific painter and a director at Papunya Tjupi. Water dreaming sites are important for the regeneration of nature. The water makes the country green and brings a lot of 'bush tucker' foods for the people and the animals. The heavy rain usually comes in the summer time. When the lightening can be seen at a distance, the elders will start singing to the lightening, encouraging it to bring more rain to replenish the land. In her paintings, Puuni depicts lightening, rainbows, puddles and bush flowers. In this painting the central shapes are important water or rock hole site. The lines represent the elements of a storm - wind, rain, thunderclouds and lightning. The patterns represent rain and water flowing from the waterholes and flooding the usually dry creek beds.

The painting depicts designs connected to Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, a sacred site northwest of the Aboriginal Community of Kintore in the Central Western Desert of Australia. The Tjukurrpa tells of an important rain making ceremony to invoke the elements. It is a powerful storm bringing on the lightning, thunderclouds and rain sending its deluge to rejuvenate the earth, filling rock holes, clay pans and creeks. It has the power to create new life and growth upon the land. There is a lightning strike at this place. In this Tjukurrpa the angular shapes represent the dryness of the Kapi Tjukitji (waterhole). Alice talks of having no spring water in this site. The arrow shapes represent the footprints of the white heron that frequent the site. The custodians for this tjukurrpa are Nakamarra, Tjakamarra, Naparula and Tjaparulla skin subsections.

In this painting Emily has depicted designs associated with the Janmarda Tjukurrpa (Onion Dreaming) site of Karrinyarra (Central Mt Wedge). Karinyarra is two hours drive North West of the remote Aboriginal community of Papunya, Northern Territory, where there is a large salt lake and sacred spring. At certain times of year the surrounds become covered with bush onion grass creating a creamy texture across the landscape. Women dig at the grass to find the bush onion that grows at the roots. The bush onions are gathered and cooked on the coals of the fire. Once they are cool enough to be held they are rubbed between the hands so that the outer shell comes away revealing the lovely sweet small onion underneath.

This painting depicts a Women's Rockhole site to the SE of Kintore. This is her grandfather's country.

Ena has represented puuli (hills) around Lupul in the Kintore region of the Northern Territory. The Tjukurrpa or dreaming associated with this sighttells of the rainbow serpent travelling across the country, bringing with it a great electrical storm which created the ancestral land. This story was passed to her by her father Long Tom Tjapanangka, who also painted this story.

In this painting Emily has depicted designs associated with the Janmarda Tjukurrpa (Onion Dreaming) site of Karrinyarra (Central Mt Wedge). Karinyarra is two hours drive North West of the remote Aboriginal community of Papunya, Northern Territory, where there is a large salt lake and sacred spring. At certain times of year the surrounds become covered with bush onion grass creating a creamy texture across the landscape. Women dig at the grass to find the bush onion that grows at the roots. The bush onions are gathered and cooked on the coals of the fire. Once they are cool enough to be held they are rubbed between the hands so that the outer shell comes away revealing the lovely sweet small onion underneath.

This painting depicts the Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, North-east of Kintore. Kalipinypa is Jacquie's father's country. The painting tells the story of the rain and hail making ceremony for the site of Kalipinypa. Ancestral forces are invoked to bring on a powerful storm with lightning, thunderclouds and rain sending a deluge to rejuvenate the earth, filling the rock holes, clay pans and creeks and creating new life and growth upon the land. Today the Nakamarra, Tjakamarra, Napurrula and Tjupurrula men and women are the custodians of this important Water Dreaming site and celebrate its stories in the ceremonies. Jacquie has used imagery to depict different parts of the landscape and story from this site. The curved shapes are puuli (hills) and tali (sand hills), the lone circle is a waterhole, the lines are creeks and kapi (water), the small repeated oval shapes are lightning and the horizontal bars represent body paint.

Linda has painted this lake South-West of Kintore. This story was passed on to her by Naputa Nangala Tjukurai who is the sister of Linda's step-father, who passed the story onto her. The circles represent rock holes. The joined together 'U'shapes represent the women collecting water from the lake. Linda has also painted women dancing and women and children sitting around the water hole. The wavy lines at each end of the painting represent the mountain ranges surrounding the Lake McDonald.

This work was created during a Papunya Tjupi Bush Trip to Winparku, located west of Ikuntji (Haast Bluff). It depicts the unique landscape as well as the women (depicted by the U shapes) of Papunya Tjupi sitting, dancing, hunting, painting and singing together as part of the week long trip.

This painting tells one of many water dreamings from the Papunya area. The circles represent important water or rock hole sites. The background design symbolises the landscape after the rains when the earth has been replenished with new growth. The rock holes collect the water during the rains. Knowledge of where to find water is handed down from generation to generation to ensure survival in the desert. This work represents the elements of a storm - wind, rain, thunderclouds and lightning. It also tells the story of rain and water flowing from the waterholes and flooding the usually dry creek beds. If present, the U shapes are the women sitting around the rock holes.

This painting is inspired by the work of Tim Leura Tjapaltjarri, also titled Honey Ant Hunt and depicts the totemic dreaming ancestors for Papunya, the honey ant. Anderson is taught this dreaming story from his father Bruce Inkamala who is the grandson of Tim Leura Tjapaltjarri.

This painting depicts a Water Dreaming story at Kalipinypa, North-East of Kintore. The painting tells the story of a rain and hail making ceremony for the site of Kalipinypa. Ancestral forces are invoked to bring on a powerful storm with lightning, thunderclouds and rain sending a deluge to rejuvenate the earth, filling the rock holes, clay pans and creeks and creating new life and growth upon the land. Today the Nakamarra, Tjakamarra, Napurrula and Tjupurrula men and women are the custodians of this important Water Dreaming story. Patricia talks about the painting showing when the lightning sparkles. The different shapes depict wiinpa (lighting) and kunata (hailstones). If present, the central circle represents tjukula (a rock hole).

This painting depicts the Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, North-east of Kintore. Kalipinypa is Jacquie's father's country. The painting tells the story of the rain and hail making ceremony for the site of Kalipinypa. Ancestral forces are invoked to bring on a powerful storm with lightning, thunderclouds and rain sending a deluge to rejuvenate the earth, filling the rock holes, clay pans and creeks and creating new life and growth upon the land. Today the Nakamarra, Tjakamarra, Napurrula and Tjupurrula men and women are the custodians of this important Water Dreaming site and celebrate its stories in the ceremonies. Jacquie has used imagery to depict different parts of the landscape and story from this site. The curved shapes are puuli (hills) and tali (sand hills), the lone circle is a waterhole, the lines are creeks and kapi (water), the small repeated oval shapes are lightning and the horizontal bars represent body paint.

Mary has depicted designs associated with Yalka Tjukurrpa (Bush Onion Dreaming) at Murini, near another sacred site of Winparrku, west of Haasts Bluff, Northern Territory. The Yalka is a traditional bush food represented here by the circles with meandering lines emanating from them.The long parallel lines represent creek beds, with waterholes being the concentric circles, U shapes are the women and the short parallel lines are wana (digging sticks) and trees. Bush onions may be eaten raw or cooked after removing the hard casing. They are a small onion sedge with corms on shallow roots, the size of a small shallot. The women would perform a traditional ceremony in honour of the Bush Onion where they dance and paint their breast, chest and forearms in ceremonial body designs. They also decorate their bodies with feathers and dance with ceremonial objects such as nulla nullas (ceremonial dancing baton).

Linda has painted this lake South-West of Kintor. This story was passed on to her by Naputa Nangala Tjukurai who is the sister of Linda's step-father, who passed the story onto her. The circles represent rock holes. The joined together 'U'shapes represent the women collecting water from the lake. Linda has also painted women dancing and women and children sitting around the water hole. The wavy lines at each end of the painting represent the mountain ranges surrounding the Lake McDonald.

Linda has painted this lake South-West of Kintore. This story was passed on to her by Naputa Nangala Tjukurai who is the sister of Linda's step-father, who passed the story onto her. The circles represent rock holes. The joined together 'U'shapes represent the women collecting water from the lake. Linda has also painted women dancing and women and children sitting around the water hole. The wavy lines at each end of the painting represent the mountain ranges surrounding the Lake McDonald.

This painting tells a Kapi Tjukurrpa (water dreaming) story of Wantupunyu. Wantupunyu is Punni's grandfather's Country and the site is to the north of Papunya and west of the sacred mountain Karinyarra. Punni leant to paint this story from her Mother's paintings, Isobel Gorey Nambajimba, who is a prolific painter and a director at Papunya Tjupi. Water dreaming sites are important for the regeneration of nature. The water makes the country green and brings a lot of 'bush tucker' foods for the people and the animals. The heavy rain usually comes in the summer time. When the lightening can be seen at a distance, the elders will start singing to the lightening, encouraging it to bring more rain to replenish the land. In her paintings, Puuni depicts lightening, rainbows, puddles and bush flowers. In this painting the central shapes are important water or rock hole site. The lines represent the elements of a storm - wind, rain, thunderclouds and lightning. The patterns represent rain and water flowing from the waterholes and flooding the usually dry creek beds.

This is a painting of Pilkati Kutjarra Tjukurrpa (Two Snake Dreaming) passed to the artist from his fathers younger brother Roley Major, who is indeed depicted in the work. In anangu (Aborginal) conceptions of family, Roley is the artists father. Two Tjangala men are seated at Lake McDonald near to Kintore facing eachother. Between them is a water hole. Behind them are series of Tali (sand dunes) and to the sides of them are formations of dry sand. The two men and the two snakes are one in the same: they are simultaneously men and snakes. They are extremely powerful and possess the will to bring rain, summon the bush tucker to grow and change colours. If someone lights a fire they can send strong winds, causing the fire to spread.

Ena has represented puuli (hills) around Lupul in the Kintore region of the Northern Territory. The Tjukurrpa or dreaming associated with this site tells of the rainbow serpent travelling across the country, bringing with it a great electrical storm which created the ancestral land. This story was passed to her by her father Long Tom Tjapanangka, who also painted this story.

This work was created on Country at Karrinyarra, located north of Papunya, or in the art centre in Papunya from memories directly following the four day painting trip. This is a Kapi Tjukurrpa (Water Dreaming) and Yalka Tjukurrpa (Bush Onion) place. Papunya Tjupi facilitates an annual multi-day bush trip for artists to paint on Country, and in 2017 went to Karrinyarra, the country of Isobel Gorey's, founding Papunya Tjupi artist and director, Grandfather. The days were filled with visits to the spring, rockholes, sandhills, dancing, singing, cooking, collecting yalka (bush onion) and rumiya (goanna), laughing, stories, camping under the trees and afternoons of painting canvas’.